Creative
Photography
Television and Video
Laura George has a reputation. But even if you already know Laura as a straight shooter, a top-notch producer and a die-hard sports fan, you can still learn a thing or two about Wray Ward’s new executive producer and studio director.
Glance at Laura’s portfolio, and you’ll see big-name clients and creative accomplishments. The 25-year veteran has award-winning work for brands including Bojangles, VELUX skylights and the Wells Fargo Championship under her belt. Meanwhile, she’s managed celebrity talent contracts with Bubba Watson, Dale Earnhardt Jr. and Scotty McCreery.
We are thrilled to welcome this superstar to our Creative team, but what’s the rest of the story for one of Wray Ward’s newest leaders? From her early passion for broadcast journalism to her more recent life as a freelance producer, we sat down with Laura to understand the motivation behind it all.
Our key takeaway: Laura George makes it happen.
How did you get your start in this field? What made you want to study radio, television and motion production in college?
I can’t pinpoint exactly when I knew I was interested in the world of motion. However, I am a sports nut, and I toyed briefly with the idea of becoming a sportscaster. I attended UNC Chapel Hill because the school offered opportunities to get involved in the world of sports journalism (and I knew my family would be thrilled if I continued our Tar Heel tradition).
My school of choice turned out to be the right move: I discovered and explored motion and video throughout college, including freelancing for Raycom Sports as a production team member. And, though I originally wanted to be a sportscaster, the more production opportunities I earned, the more I felt drawn to that side of the camera.
I also worked as an editor and master control operator at a cable media company in Chapel Hill, and I freelanced for the Tar Heel Sports Network. As I continued freelancing, it became obvious that I liked making things happen. I may have been behind the scenes, but I was a crucial cog in the machine that pulled projects together, and I loved that.